I am using my most recently finished painting "And Then The Sky Fell" to demonstrate how I use watercolours on a main human figure. The methods I adopt may seem unusual as they seem to defy the nature of this medium, therefore it is best to view this not as a tutorial, but rather, as clearly shown in the title, a walkthrough. It is a long process, and captured in as much detail as possible without seeming repetitious, which is why this is divided in two parts. Thank you, and enjoy.
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The first step is to create a clean draft. I like to use a 2H lead for just the right amount of precision and minimal smudging.
This piece here is 18x24” on Arches hot press watercolour paper, and the drafting process took me about one week. It is very important for me to get everything right at this point, and attention to the smallest details definitely pay off in the end.
A photo reference of myself is used for the figure.

To begin the colouring process, I always add a few drops of Windsor & Newton Ox Gall Liquid to my water, as I find it improves flow, and also slows drying time by just a little. This gives me a bit more freedom, especially when it comes to correcting mistakes.

It is easier for me to pour the Ox Gall in the bottle cap and then add the drops to my water, rather than pouring directly from the bottle, as it tends to go everywhere and make quite a mess.
Also shown here is a porcelain container where I have prepared the colour I will be using, which is Indigo, from Windor & Newton’s Artists’ Watercolours.

Here is how I usually set up my workstation. I have my tilted drafting board, water and colour on the left, a folded double-sheet kitchen towel for dabbing under my left hand, and a folded single sheet kitchen towel for blotting under my right.
At this point I have already worked on the figure’s face.

A closeup of the brushes I tend to favour. From bottom to top -
• Robert Simmons Sapphire series slanted brush, 1/4
• Windsor & Newton Series 7 pointed round, 000
• Windsor & Newton Series 7 pointed round, 00
The first two brushes are the ones I use the most.

To begin the shading process, I take the 1/4 slanted, wet it just a little, and dip it in pigment...

I then dilute the colour slightly by dipping the tip of the brush in water...

The brush tip is then dabbed gently, once, on the double-sheet kitchen towel, to get rid of excess pigment...

And then the brush is finally brought to paper, in quick, deliberate strokes.

The single sheet kitchen towel now comes in handy, as it is used to blot away excess saturation and makes it easier for me to attain a smooth gradient later on.

Now I have switched to the 000 pointed round, to begin with the stippling process.

Very carefully, I go over the areas that I had just painted with the slanted brush, filling in tiny little gaps, and also intensifying saturation where necessary.

And this is what the little 000 can achieve.
It is indeed an arduous venture, but one that I have to embark because of my infatuation with getting everything as smooth as possible. In effect, this is really a simulation of airbrushing.
Her right shoulder (left in the painting), that bit of neck, and the one collar bone, all in all took about 5 hours.

And so this goes, one segment at a time, often revisiting previous areas for touch-ups.

Finally, the first layer of colour for the figure is complete.
Her eyes are composed of Windsor Yellow, Quinacridone Gold, Burnt Umber, and Ivory Black, and a bit of Copic Multiliner 0.05 was used on her lashes.
The hair is Dioxazine Purple, all rendered with a 003 round. Her eyebrows and lips are tinted with the same colour.
[ To see how subsequent layers of colour are added, please proceed to Part II... ]
grohsARTig
simply amazing!
Sep 9th, 2011 Replysnowmask
Thank you so much Martin ♥ and for the favourite :)
Sep 10th, 2011 Reply katherine-cheng.comgrohsARTig
you are so welcome! nice to see how you work :)
Sep 11th, 2011 ReplyL2DISTURBED
THANKS!
Jul 3rd, 2011 Replysnowmask
You're very welcome, thank you for looking into this :)
Jul 3rd, 2011 Reply katherine-cheng.comChandrika
very nice!
Jul 2nd, 2011 Replyfreakshow
awesome!!!!!!
Jun 20th, 2011 Replysnowmask
Thank you
Jun 20th, 2011 Reply katherine-cheng.comriyuwenji
| Very informative! You are gifted. Since when did you start using watercolours and inks?
Jun 8th, 2011 Replysnowmask
I took up watercolours in 2008 :) I would say 2010 is when I started to develop my "stippling" technique, simulating the effect of airbrushing using watercolours and fine point brushes :)
Jun 8th, 2011 Reply katherine-cheng.comriyuwenji
| Woah! It's such a short time for you to master it. Incredible! :)
Jun 8th, 2011 Replysnowmask
Ah, not really. I made many, many disastrous experiments :P
Jun 8th, 2011 Reply katherine-cheng.comriyuwenji
| Well, through experimenting and creativity you can learn something out of nothing. :P
Jun 8th, 2011 Replysnowmask
Amen to that! Every thing I paint is a learning experience!
Jun 8th, 2011 Reply katherine-cheng.comriyuwenji
| Anyway, thanks for the inspiration. Would you mind if I use those wonderful colors on your work? I am creating a packaging layout for cosmetics. :)
Jun 9th, 2011 Replysnowmask
Could you explain some more for me please? I'm not sure if I follow what you mean by using the colours in my work :)
Jun 9th, 2011 Reply katherine-cheng.comPlease feel free to message me in private also, if that's what makes you more comfortable.
LadyFanhir
I remember your wakltrought/tutorial on dA.... You help me a lot, especially for White Ink!! Everytime i use it, i cannot not thinking of you and your kindness! You're great artist!
Thank you!!!!
Jun 2nd, 2011 Replysnowmask
You are so precious ♥ your thoughtfulness means a lot to me. And I am so happy that the ink works out for you! It is indispensable when using watercolours and inks.
Jun 2nd, 2011 Reply katherine-cheng.comheirofglee
Water colors hate me. Now I know why haha. Ive been doing something wrong
Jun 1st, 2011 Replysnowmask
They can be a rather hateful medium, constantly fighting back, but there is a way to rein them in. Just have to be deathly patient ♥
Jun 1st, 2011 Reply katherine-cheng.comheirofglee
Ill try more this summer I have to , i don not want it to go to waste Ive seen beautiful art made with it. Like this one.
Jun 9th, 2011 Replyjbrommers
Stunning! Love seeing how other watercolorists and traditional artists do their work! thanks for sharing!
Jun 1st, 2011 Replysnowmask
Thank you so much for taking the time to view this ♥
Jun 1st, 2011 Reply katherine-cheng.comI have departed from watercolours after 2 years of their grip, and made my transition to oils :)
Ruturaj
OMG !!! awesome...
Jun 1st, 2011 ReplyTricks
This has been featured in /TutorialNews
and will be part of an article to be posted shortly
Jun 1st, 2011 Reply Staff - need help? PM me :Dsnowmask
Thank you so much!
Jun 1st, 2011 Reply katherine-cheng.com